Anna Jackson
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  • Home
  • Poems
  • Books
    • Pasture and Flock
    • I, Clodia, and other portraits
    • Thicket
    • The gas leak
    • Catullus for children
    • The pastoral kitchen
    • The long road to teatime
    • Last stop before insomnia
    • Dear tombs, dear horizon
    • The Bedmaking Competition
  • About
  • Actions and Travels
  • News and Enthusiasms
  • Catullus translations
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25/2/2020 0 Comments

25 February

I haven’t yet been able to get a photo of the hens posturing, facing off with their feathers fluffed out.  When I enter the coop I’ve got my hands full of food bowls and assorted treats that need to be carefully administered amongst my vast flock, and then, I don’t want the camera always between myself and the hens, disrupting what ought to be a free-flowing relationship.  There must be many parents struggling with the same problem.  I didn’t, I didn’t have a camera except for the occasional disposable camera I bought, and Simon only took his out on occasion.  (But I would have been one of those who, when asked what I would save in a fire, would have said the photo albums.  Would anyone say that now?)  In any case, when I do have the camera poised ready to take pictures of the hens, they sidle off or stand contentedly where they are, and it is only the minute I put the camera down that there is any action.  I did however capture a particularly splendid cluck of Goldie’s – the video shows Maude and Mabel in the foreground but it is Goldie, under the trees, issuing a genuine three-part clucking sequence.  Meanwhile, Maude and Mabel are also beginning to cluck, sometimes sounding a little unmelodious, but sometimes managing a quiet, adult-like conversation between themselves.  
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